Re: [Harp-L] re: Improv in Blues
In a message dated 4/21/2005 1:37:28 P.M. Central Standard Time,
mfugazzi67@xxxxxxxxx writes:
I think sometimes it is easy to get caught up in the
moment when you play. After a whole set you
think...wow...I must have used "that" run way too
much!
One thing we have a habit of doing in my band currently is this: We almost
never add a cover to our song book that has harmonica in the original version
that we're arranging from. On the other hand, lots and lots of our covers
have horns and/or Hammond organ in the originals. Like a lot of other players I
get many of my ideas for solos from what the horns and organ are playing and
then improvise on those lines. I also try to pay careful attention to the
vocal melody of each song we do and try to mimic that at some point in my solo.
Even though we are considered to be in the general category of "Blues Band"
we play lots of funk, soul, 60s 70s R&B (James Brown, Johnny Taylor, O.V.
Wright ), plus Louis Jordan swing tunes and altered state versions of simple jazz
standards like Canadian Sunset and Moonlight in Vermont. The point is that
for the most part, this kind of stuff doesn't require pyrotechnics on the
diatonic but fresh variations of "blues riffs" and lines that lay out pretty
simply in 1st 2nd & 3rd positions if you think outside the box. What's the box?
12 bar blues and boogies and the cliche' riffs that go with them. And I hasten
to add that there's nothing wrong with that stuff. I love it and I use it
but there are other ways to go. One other thing that's also useful is having a
band behind you that can lay down a tight solid pocket groove -- does
wonders for the imagination.
I'd also like to add this invitation to any harp-lers in the Chicago area
that might want to hear what I'm talking about: Come on out to the Harlem Ave.
Lounge this Saturday night, 4/23 and check out our band. Love to have you
there to groove with us. (BTW, if it wasn't for gigs this weekend I'd be at
Buckeye right now!)
T. Albanese
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