Re: [Harp-L] Re: The 'Flexible Gospel'...now Melodic lines vs. Tone
Amen to that. Bullfrog
----- Original Message -----
From: "fjm" <mktspot@xxxxxxxxxxxxxxxx>
To: "h-l" <harp-l@xxxxxxxxxx>
Sent: Thursday, April 21, 2005 9:48 AM
Subject: Re: [Harp-L] Re: The 'Flexible Gospel'...now Melodic lines vs. Tone
> Iceman writes:
>
> > (Drunk upscale couple slapping you on the back telling you how they
were
> > truly moved by your performance).
>
> So, if the couple got drunk on a good single malt then their criticism
> is valid and if a malt liquor in an oversized quart was the cause then
> we're pandering? We can extend the dui laws to include criticism, step
> away from the typewriter. I actually do think I hear what you're
> saying. I personally am rather pleased when somone comes up to me
> during a break or after a show and comments on aspects of my playing
> that I was working hard on communicating. What people comment on and
> what I'm trying to achieve are oftentimes entirely different things, and
> that's ok. Who am I to decide what's ok to like and dislike about
> music? I used to argue with people who would come up and tell me how
> they liked my band and or playing. Yeah but we were really struggling
> first set and none of the musical ideas we presented were cohesive. I'd
> go on and on and then one day I looked at someone's face as I was doing
> this and suddenly realised how rude I was being. Now I politely and
> sincerely thank them for their thoughts and for coming out to see the
> band. This is not at all an arguement with anything Mr. Eisenberg was
> saying regarding tone/melodic line. It's all a very personal struggle
> and the result we're trying to achieve differs from artist to artist. fjm
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>
>
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