Re: [Harp-L] Grant Dermody

[Nicolas Fouquet <bbhcfr@xxxxxxxx>]

I agree with John!!
 
grant is a terriffic player. I always carry his recording with me while travelling. Grant, actually, your Cd I do own has seen many places in : France, Germany, Belgium, Spain, USA... and will see many more.
And I make everybody listening to that CD.
I define it as : "technic that you don't hear". The tunes are really pleasuring and you do think at any time about the technicity until you try to play the same stuff and realise how hard it is.
 
Grant's playing is soulful, light and nice. Never to much notes, never to little, jsut enough.
And the bunch of people teaming up with him (Joe Filisko, Phil Wiggins...) makes an awsome mix. "Crossing That River with Jordan" is among my favortie song ever (including among my non-harp stuff)!!
 
I wish that Grant could be more famous and touring around Europe as we would discover a great performer. I have not seen him on stage, but I can't believe that such soulful player can not be a killer stageman!
 
In addition to his playing Grant is also a soulful singer. The balad on Track 2 (sorry I do not remember all the names) is really nice, with a nice voice and sweet tone.
 
I have no relationship with Grant (though I won't mind you give me 200 buck for the nice comments lol) bla bla bla
 
Froggy

Aeskow@xxxxxxx wrote:
Dear Harp-L Members,

I'm writing in praise of a magnificent CD by Grant Dermody called "Crossing 
That River." I got turned on to this inspiring album (sorry, I still think in 
those terms) by means of a simple query to Harp-L about tunes cut with low-key 
harps, of which "River" contains four spectacular examples. But the appeal 
of Grant's harp-work, songwriting, singing, and instrumental collaborators goes 
far beyond any single technique choice. In particular, his harp-work is 
incredibly soulful. He has chops to kill for, but he knows how to put them in the 
service of each particular song, a quality often missing from some of our 
finer players. In places, his muscular acoustic tone will remind you of Paul 
Butterfield's work during his Better Days period; on other cuts--asuch as with 
his duet with Joe Filisko, or on many of the country-blues pieces--you could 
close your eyes and picture yourself in a Carolina roadhouse fifty years ago, 
whooping along with some crack Piedmont bluesmen. In addition, he writes original 
songs that cut to the quick, and sings them with total conviction, and in 
addition to Joe Filisko, he's attracted a terrific cast of co-players. I could 
go on and on, but the best recommendation I can make for Grant Dermody is 
simply that you give him a listen. I feel that every player on this list would 
find it a highly rewarding and inspiring experience.

Peace and Respect,
Johnny T

PS Grant has not (yet) offered me any kind of bribe. He simply responded to 
my low-key harp query, and the Harmonica Buddha took it from there.
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