[Harp-L] RE: Greg-wah Maret
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] RE: Greg-wah Maret
- From: "Damien Masterson" <damienzm@xxxxxxxxxxx>
- Date: Tue, 19 Apr 2005 19:04:57 +0000
- In-reply-to: <200504180228.j3I2RJgw021397@harp-l.org>
Hey All,
Just wanted to pipe in my two cents about Gregoire Maret. The first cent is,
that music is just a trip this way, you either like it, or you don't. So the
fact that some people like his playing and some people don't is probably
just as analogous to whether you like Mexican food or not. Regardless of our
own opinion of our qualifications to judge or not. That's another story
altogether. Chips?
I found from my limited investigation that Gregoire suffers from a
couple of things that all chromatic harmonica players struggle with,
including myself. The first major one is how to overcome the limitations of
the instrument and play the music in one's head. That's why Howard Levy and
Stevie Wonder are still my chromatic harmonica idols, because when they
play, I don't hear the cliche "workarounds" that I hear so many other
players use. Levy obviously fits in a category of his own! But I have
listened and heard Toots and MANY other promanent players fit their licks
into this wierd kind of harmonica pattern thing that doesn't sound musical
to me, almost like John Popper, but in chromatic Jazz improvisation. What is
that? Also. I hear GM play certain lines, and I'm not entirely convinced
that it's a musical idea coming from inside, but more of a rambling noodle
thing.
I speak from experience. My old music teacher called it "letting your
fingers do the playing"... of course, on the harmonica, that doesn't work
too well. Taco Bell or Taco Truck?
The other factor is SOUL. And you either have it, and the technique to
express it, or you don't. And I personally am very tired of listening to
chrom players who have technique, know tons of theory, can read very well,
and can't emote through their instrument. As we know, there are many chrom
players who are capable of all kinds of fireworks, but when it comes to
playing one, powerful, note that would bring tears to your eyes, the field
empties and a few are left standing. Gregoire holds his ground, but I'm
still waiting for the next Cannonball Adderly of Chromatic. And practicing
to be that myself. Burrito or Enchilada?
So that's what I strive for, in harmonica terms: The flow of ideas and
musicality of Howard, the soul of Stevie and the technique to match.
Horchata or Agua Fresca?
As far as Gregoire is concerned, I believe he's gotten a lot of attention
for different reasons, and that he works very hard. I'm going to check back
in 10 years after his concept has matured a little.
And may we all be kicking more ass in 10 years! Viva La Harmonica!
Damien Masterson http://www.goodomen.net 415 305 7138
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.