[Harp-L] What harmonica to start, TB or pucker?
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] What harmonica to start, TB or pucker?
- From: Robert Bonfiglio <bon@xxxxxxxxxx>
- Date: Thu, 14 Apr 2005 07:20:21 -0400
- In-reply-to: <200504140635.j3E6XRgw007122@harp-l.org>
Dave wrote,
I've got "active" saliva glands. The act of poking my tongue froward
to play
a tongue block style generates a river. Before I can finish a song,
reeds
are choking (drowning to be exact). How does one deal with that?
Peace and music,
Dave
Dave- learn to swallow between phrases; does two things, get's you off
the harp to leave space in phrases and get's rid of the spit. After
playing TB for a while the saliva thing goes away, until then use
plastic bodies.
For those just starting harmonica, if you like blues or country, pick
up the diatonic first. If you want to play ballads, pick up the
chromatic first, that way you won't get frustrated.
After a couple of years of blues learn to play a ballad, i.e., not a D
minor blues, on the chromatic; then come to my seminar in August (plug,
plug) and the dreaded chromatic will become a real tool to use.
If you play chromatic, after a couple of years, pick up a diatonic,
learn to bend, shake, chord vamp and seek out on of the great players
on the list to work with. Be sure to do all of the above before the
age of 12!!
Learn to TB and pucker, you will need both for all kinds of effects,
techniques and tones. The rule I use is trust your own body. What
ever is easier to do to achieve the result you want is the most
important. There are no right ways and wrong ways - no one in the
audience cares how you got the notes out if you can get them out.
Right now for example on the Benjamin Harmonica Concerto I am playing
at Teatro Colon in Buenos Aires in late June and early July, I am
playing some double and triple tongue passages in TB, i.e., with the
tongue on the harmonica I am tonguing out of the sides of my mouth,
both left and right. This keeps the pitch dead on because pucker
tonguing tends to bend the pitch down. That said, in the last
movement, I go back and forth between TB and pucker while tonguing to
keep from tongue fatigue
On blues harp you may find it necessary to go back and forth between TB
and pucker to keep away from tongue fatigue in rhythm passages. Corner
switching on diatonic is a great technique that I never hear.
Harmonically yours,
Robert Bonfiglio
http://www.robertbonfiglio.com
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