RE: [Harp-L] tri tones substitutions

["Michael Peloquin" <peloquinharp@xxxxxxxxxxx>]

Good job TB--very close-but there are not 3 notes only:

tritone=an interval of a #4/b5 The Devil';s interval, 6 1/2 steps or 3 whole 
steps-thus TRITONE
the exact midway point of an octave.
B to F
F to B

works over a dominant chord where B is Maj 3 and F is b7
G7 (G B D F)

subtitute is:  a dominant chord where F is Maj 3 and B is b7
C#7 {C# E#(F) G B}

so-when you are in the Key of C and the V7 (G7) comes around, play a C#7 
arpeggio and you will sound mighty hip. Blow it, and well...you know.

very handy on a II V7 I:
Dm G7(C#7) C

be careful, but have fun! 3rds & 7ths are the key--and don't forget to swing

Michael Peloquin
http://www.globerecords.com/cgi-bin/db/search.cgi?specific=itemno&phrase=GLO-025




> From: Toungblock@xxxxxxx
> To: harp-l@xxxxxxxxxx
> Subject: [Harp-L] tri tones substitutions
> Date: Tue, 26 Oct 2004 19:53:52 EDT
>
> anybody ever do this on the harp?? g7 would be g b d f the titone is d b f
> the sub would be a c# HARP play c#e# g# b the tri tone sub would be the e 
> g# b
> nover the g7 sub is c#7 tghe 357. those 3 notes sound nice.
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l