[Harp-L] Low octave blow bend?

[Paul Bowering <paul_bowering@xxxxxxxxx>]

I was intrigued today when playing the Hole 1 blow and
discovering that I was able to bend the note down. Not
quite a semi-tone but close enough to sound like 'the
next note in the scale'. Now it wasn't as crisp as
other bends but it sure seemed to be there. The
technique was similar to regular blow bends but with a
more relaxed jaw and a vocal tract that wasn't quite
as pinched. This leads to a few questions. 

First, is this even possible or was the difference in
timbre deceiving me into thinking that the pitch had
also changed. If this phenomenon is possible can some
one explain what's happening? It couldn't be
interaction with the draw reed. (No, it wasn't an
overblow either; I can get that with some proficientcy
and know it when it happens).

Second, does this technique put any extra stress on
the reed I should know about?

Finally, with constant reference to overblows, bending
and all other manner of harp manipulation why have I
not seem anything about this on the list before? Did I
just overlook it? Seems to me that with some
refinement this technique would have good application
for producing a low major 7th in first position or the
major 3rd in cross harp.

By the way, I was using an MS Big River in the key of
F. Didn't have a chance to try other harps so I'm not
sure if model and/or key were mitigating factors.

I have respect for chromatic players, XB-40 dudes,
whatever but man, for me, having recently discovered
OB's there is something really cool about pulling out
a simple 10 hole 'child's toy' and realizing the
potential for flexiblity and power inside its humble
shell. (Or more accuarately unrealized potential in
the case of my playing). :}

Paul


		
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