[Harp-L] Lip Block (Was Any Help Out There)
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Lip Block (Was Any Help Out There)
- From: Dan <billybudd1313@xxxxxxxxx>
- Date: Mon, 15 Nov 2004 12:20:09 -0800 (PST)
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What about the method where you curl your tongue to get a note?....
I learned from Jon Gindick's book (16 ys ago) and I started with "finger blocking" at first. This wasn't in the book.
In order to hear the hole I was trying for, I'd hold my fingers over all others, then blow or draw the open hole. It gave me an audible target to shoot for when I "puckered"
I managed to develop a great deal of speed, articulation, and tone with my pucker when I really got to practicing. But the pucker was not as it had begun. I think as we develop a touch for the harp, it moves farther into the mouth following the initial "peck on the cheek" pucker, I know I started with.
About 3 years ago I took the advice of one Drew Blood who preached tongue blocking as the gospel. I re-trained my embouchure painstakingly, and I have to say he was right. I was a huge skeptic. (how could you possible bend a note???, I said)
Ladies and gentlemen, tone is very important to me, and I worked my tail off for tone using both techniques. There is nothing wrong with NOT tongue blocking. Those of you who persist to resist, don't get upset. I switch to it sometimes still. For my money, however, there is no substitute for the strength of tone,and articulation that TB'ing delivers. But for a beginner.... I say use whatever means necessary to get the single notes. Just get them.
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