My definition:In jazz there have always been two approaches to improvisation, riffing and melodic. It's an oversimplification to say a given player is purely one or the other, but almost everyone tends toward one direction or the other. I like to listen to horn players for the rhymic patterns. I can't necessarily play the notes they play but there are a lot of patterns I can adapt to my level of technique.
A musical line is a series of notes played in a lyical fashion. Or
notes strung together that are seemingly underscored by words of
beauty.
My intial comment was by no means a dis on Jason Ricci, he's my
current favorite harmonica player.
---- Original Message ---- From: dfoley1647@xxxxxxxxxx To: Chris@xxxxxxxxxxxxxxxxxx, harp-l@xxxxxxxxxx Subject: Re: [Harp-L] rhythm playing Date: Thu, 30 Dec 2004 11:55:26 -0500
Chris Michalek wrote: I think rhythm is the most important aspect toa
hellperson playing. All aspects of music are equally important.
Chris wrote: To my
ear he's not really playing musical lines, instead he's playingOk Chris....here is the 64 thousand dollar question......what the
rhythmic patterns.
constitutes a musical line in your humble opinion? Waiting for yourreply
with bated breath, respectfully, Derrick Foley
Chris Michalek
www.michalekstrone.com
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