So I've been able to play the 6 hole overblow for
awhile now, and I am starting to use it more and more
and understand where it fits in blues music. Now I am
hitting the four and five with ease, but I don't know
the appropriate blues context for it. Any help? Any
riffs or context clues for those two overblows would
be great. Hopefully I'll get the 7 overdraw soon.
That has been very difficult.
I know that the overblows will let me follow chord
changes and change the scales I can use over different
chords, but I'd like to start a little smaller then
that. I still need to get all the scales with the
overblows down.
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Mike Fugazzi
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