RE: [Harp-L] Overblows

["Chris Michalek" <Chris@xxxxxxxxxxxxxxxxxx>]

Think about licks that you play in the bottom octave where you use
the 3 hole 1/2 step bend.  That note functions the same way as you
6ob.  The 7OD is just like the 4 draw bend.  Nearly everything you
play in one octave should be playable in another. 


>
>
>
>---- Original Message ----
>From: mfugazzi67@xxxxxxxxx
>To: harp-l@xxxxxxxxxx
>Subject: RE: [Harp-L] Overblows
>Date: Thu, 16 Dec 2004 09:22:37 -0800 (PST)
>
>>
>>So I've been able to play the 6 hole overblow for
>>awhile now, and I am starting to use it more and more
>>and understand where it fits in blues music.  Now I am
>>hitting the four and five with ease, but I don't know
>>the appropriate blues context for it.  Any help?  Any
>>riffs or context clues for those two overblows would
>>be great.  Hopefully I'll get the 7 overdraw soon. 
>>That has been very difficult.
>>
>>I know that the overblows will let me follow chord
>>changes and change the scales I can use over different
>>chords, but I'd like to start a little smaller then
>>that.  I still need to get all the scales with the
>>overblows down.
>>
>>=====
>>Mike Fugazzi
>>
>>
>>		
>>__________________________________ 
>>Do you Yahoo!? 
>>Send a seasonal email greeting and help others. Do good. 
>>http://celebrity.mail.yahoo.com
>>_______________________________________________
>>Harp-L is sponsored by SPAH, http://www.spah.org
>>Harp-L@xxxxxxxxxx
>>http://harp-l.org/mailman/listinfo/harp-l
>>

Chris Michalek

www.michalekstrone.com