[Harp-L] Re: A Night In Tunisia
- To: George Brooks <gbrooks1@xxxxxxxxx>, harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: A Night In Tunisia
- From: "jazmaan@xxxxxxxxxxxxxx" <dmf273@xxxxxxxxx>
- Date: Sun, 5 Dec 2004 11:33:11 -0800 (PST)
- Cc:
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- In-reply-to: <BB9727B6-46F0-11D9-B4D1-000A95D3908E@sover.net>
- Reply-to: jazmaan@xxxxxxxxxxxxxx
I'm pretty sure that my rhythmic "digressions" were a matter of artistic liberty George. I wasn't
even thinking about trying to play the main figure exactly in rhythm. As the student said to the
teacher "I didn't know I would be graded on that!"
If I had wanted to play it "by the book" so to speak, I would have used a latin accompaniment over
that section instead of straight swing all the way through. I'm going to go back and try it "by
the book" just to prove to myself I can do it.
I greatly appreciate your thoughtful criticisms though. Thank you!
--- George Brooks <gbrooks1@xxxxxxxxx> wrote:
> David-
>
> I am impressed. The bending is very accurate for the most part, and
> you work some great arpeggios and runs in. Your playing on the break
> is actually astonishing.
>
> My only criticism is that the main figure of the melody - the first
> nine notes, which are repeated five more times in the head (twice with
> a slight alteration) - is played rather badly out of rhythm. Chris M.
> didn't get it exactly right either (a fact pointed out by Michael
> Peloquin offlist), but he's closer than you. It's tough, I know, even
> at 120 bpm, and I'm not saying I can do any better (yet). As of now,
> Richard Hunter is right and we're all wrong. But you're still pretty
> new on your re-tuned XB, and I'm going to work on Tunisia, so maybe
> someone will be able to play it soon.
>
> Thanks again for the mp3, and for putting yourself out there.
>
> George
>
>
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