[Harp-L] Re: Yamaha 1200
I picked up two of the 1200 harmonicas with a batch purchase I made on Ebay
and traded the one in C for doing the work on the one in G which I still prize
to this day. I inquired about the harmonica about two years ago and finally
got a response from Colin Mort. I am sure he would not mind if I pass along
some of the detailed info he gave me.
>From Colin Mort:
Yamaha made 3 octave chromatics in C like the Hohner 270 - in other words a
"standard" chromatic. They were on wooden combs which were heavily lacquered
to make them impervious to changes of humidity. The reed plates were plated
and nailed on. For a short period before they sold the facility they used
plastic combs. I believe they sold to Tombo.
The original ones had leather valves which the later ones didn't. Yamaha
sold harmonicas in the UK for a short period, but atypically didn't promote
them so they didn't sell well and they withdrew from the market.
Their tremolos were sought after by folk players as the best ever.
Subsequently Yamaha sold harmonicas in Japan only. It has been rumoured that
there was a marketing agreement with Hohner, but whether that's true . . .
There are no hole numbers on the cover plates, so you can't use those eyes
inside your mouth to tell you your position!
All the reeds were riveted onto a plate in one operation by a machine which
ensured accurate placing of the reeds.
The reeds answer very quickly whether played quietly or
(remarkably) loud and to have a good strong sound, but if you're looking for
a CX12 or blues harp sound, it isn't. They were thinner than Hohner reeds
and very prone to choke if you start a note in a punchy manner.
Reed replacements weren't / aren't available, reeds can be replaced with
Hohner reeds which have to be shortened and make narrower and thinner. In
playing
it feels and sounds consistent with the others,
In the hands, the instrument feels lighter than a Hohner, and the plating on
the cover plates is very thin but proved it's quality in playing. However
tatty it looks, it
still plays brilliantly.
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.