[Harp-L] XB-40s at SPAH (was St. Louis Blues)
--Dennis Gruenling told he has one, but said he
wasn't crazy about its tone. Got the same comment
from my friend Ronnie Shellist.
I kept telling people that the tone of the XB-40 is
an "acquired taste," like good scotch. :-)
More later.
Harpin' in Colorado,
--Ken M.
Hey Ken--
You sound so alive and invigorated--definitely a great advertisement
for SPAH. And I'm very curious about this whole learning-to-love-the-
XB-tone thing (I notice you leave no alcohol metaphor uncoined). I too have
waffled on its "voice"--is it somehow just a little cheesy, maybe? isn't it kinda
thin and whiny? So you deep-six it. Then you just idly pick it up again for
want of anything better to do and the tone feels very bluesy. And soon
enough it starts to sound annoying and nasal and not good again.
What strikes me is that on three occasions, playing the XB with
friends, what sounded to me like the Bad Aluminum Whine sounded rich and dynamic to
other musicians (that small crew you count on for straight answers). Is it
possible for a harp to sound RADICALLY different to the player than it does to
other, well, mere mortals? I know there's always some disconnect there but
I wonder this is an Xtreme case. Because in an ideal world, it'd be great to
play that instrument with peace of mind about its tone.
Ken, I do not hold you personally responsible for researching this
entire subject. You will have secretaries at your beck and call. And keep those
whiskey and bourbon metaphors coming, man. They evoke memories of bar gigs
past, 9 to 1 with two 15-minute breaks, blowing your brains out for no
one--well, 20 people maybe, but most of them with faces like trauma victims, or
trauma causers..but you're not troubling yourself a bit about it, because it
feels so phenomenal to be fused with your band and lost in the playing
itself...Count off another one, brutha...
Ken? I WOULD like a prelimary research document on my desk by tomorrow
afternoon.
Peace and Respect
Johnny T
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