Re: question for recording buffs
- Subject: Re: question for recording buffs
- From: "Hambone Hamilton" <harpmanx@xxxxxxxxxxx>
- Date: Mon, 26 Apr 2004 14:59:50 -0400
All,
I agree with Andrew's comments about the Shure 58, it's been the industry
standard for a long time for good reason. But, as an alternative, I picked
up some Samson Q mics that I like even better, they have a more defined
bottom end and really high feedback threshold. And I got the pair of them
for about $45. Can't beat that. I use one to mic my amp, and one for
vocals, and occassionally as a harp mic, and they're great for recording
too!!
Hambone
>This deserves to be on-list, so I am posting it here. a good rule in the
>studio is if it sounds good, don't mess with it. The Shure 58 is fine
>microphone
>for recording and if it is capturing the sound you want demand it be put in
>front of your amp. I always hear lots of griping from people about
>microphones
>and how all the high-end microphones are way out fo reach for the common
>recording enthusiast, but I have to say that much of that is crap. Entire
>albums have
>been recorded with just the Shure 57, and much of the mixes of those came
>out
>fine. Like George Martin said "All you need is ears." Stick with the Shure
>58
>and you will do fine.
>
>Andrew
_________________________________________________________________
>From must-see cities to the best beaches, plan a getaway with the Spring
Travel Guide! http://special.msn.com/local/springtravel.armx
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.