Re: Be-Bop tuning was:Moanin' and the CX-10 [Mitch is Great!]
- Subject: Re: Be-Bop tuning was:Moanin' and the CX-10 [Mitch is Great!]
- From: "Scorcher" <scorcher@xxxxxxx>
- Date: Wed, 21 Apr 2004 16:39:59 -0700
> --- Hambone Hamilton <harpmanx@xxxxxxxxxxx> wrote:
> >
> > So tell us more about Be-Bop Tuning, please.
> > Hambone
> >
> >
> Jp offers:
> i don't have much to tell, but i can point you to
> people who do. essentially, Bebop tuning just replaces
> on of the doubled C's (and C#'s) of each pair found on
> a regular C chrom. (for other key chroms, just
> extrapolate... ;). so, for example, instead of having
> the blow plane of a chro be C E G C C E G C C
> ...etc..., it would be C E G Bb C E G Bb C... etc...
> so now you have an extra note you can play without
> hitting the button. when you press the button in on
> that Bb, your new note is B instead of C#. there's
> other benefits to this, of course. (and, you don't
> have to use Bb/B. you can make that "extra" C/C#
> pretty much whatever you want, but i think A/Bb is
> another popular alternative.)
Missin lists 2 Bebop schemes:
12.3f - BEBOP TUNING (See 5.6)
BLOW SLIDE IN C# E# G# B C# E# G# B C# E# G# B
BLOW SLIDE OUT C E G Bb C E G Bb C E G Bb
HOLE NUMBER 1 2 3 4 5 6 7 8 9 10 11 12
DRAW SLIDE IN D# F# A# B# D# F# A# B# D# F# A# B#
DRAW SLIDE OUT D F A B D F A B D F A B
12.3g - BEBOP II TUNING (See 5.6a)
BLOW SLIDE IN C# E# G# Bb C# E# G# Bb C# E# G# Bb
BLOW SLIDE OUT C E G A C E G A C E G A
HOLE NUMBER 1 2 3 4 5 6 7 8 9 10 11 12
DRAW SLIDE IN D# F# A C D# F# A C D# F# A C
DRAW SLIDE OUT D F G# B D F G# B D F G# B
I have a 270 tuned to Bebop (12.3f) - It's not a LOT different from solo, so
it'd be pretty easy to adapt.
I say it ~would~ be because I've decided, for the time being to stick with
solo - the more I play it the more comfortable I'm getting with it.
Just my $.02
- -Scorcher
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