Re: Jazz Vs Overblows?
- Subject: Re: Jazz Vs Overblows?
- From: "Vern Smith" <jevern@xxxxxxx>
- Date: Tue, 22 Jul 2003 22:21:55 -0700
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----- Original Message -----
From: "Mike Curtis" <ironman@xxxxxxxxxxxxxxxxx>
=20
> But I play in a rack. My two hands play guitar (or sometimes =
electric
> bass). I stand on one foot. The other plays organ bass pedals. I'm =
out
> of "legal-on-stage" appendages to activate the slide, n'est-ce pas?
=20
You could easily play a Hands-Free-Chromatic that uses a 4mm vertical
movement of the mouthpiece to accomplish the function of the slide. =
This
makes your additional "legal on-stage appendage" your neck. It takes =
years
to develop bend/overblow chromatic ability on a diatonic and minutes to =
play
all the chromatic notes on an HFC. Because no bending or overblowing is
required, all of the HFC #/b notes can be held smoothly as long as =
desired
with exactly the same timbre as the naturals.
=20
However, if you don't WANT to play the chromatic harmonica, then the =
above
arguments are all irrelevant!
=20
Vern
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