RE: too loud
- Subject: RE: too loud
- From: "Stephen Shaw" <moorcot@xxxxxxx>
- Date: Mon, 08 Dec 2003 21:16:46 +0000
>From: "Laughton, Bob" <LaughtonB@xxxxxxxxx>
>I'm enjoying this ongoing discussion of music vs. volume. Volume does have
>it's place, but it's in stadium rock music, not in traditional club-scaled
>urban blues music. The thing I don't like about volume is that it puts a
>barrier between the performer and audience - literally a 'wall of sound'.
>Many on either side of the wall do enjoy the experience - I find that I
>generally do not.
>
>My favorite music environment is the Irish 'pub session' where the players
>are essentially having a 'musical conversation' with each other, and often
>don't really care that much if the 'punters' (the audience of non-musician
>pub goers) can hear or not. It is 100% acoustic and melody-oriented. Rhythm
>instruments must mesh with and support the spirit of each tune, and the
>numbers are minimal - one each at the maximum of guitar, bouzouki/cittern,
>and/or bodhran (irish frame drum) - and in some instances rhythm
>instruments are excluded altogether.
Hi Bob
All too often you can get "too many" musicians even at Irish-type sessions.
You are spot-on in highlighting the conversational aspect of the music, that
is when played as it should be played. Most of the melody instruments
actually perform at "talking volume" - whistles, flutes, fiddles, voice,
harmonica (dare I say!). And as you say the music often works without any
backing rhythm/harmony. Sadly this world is peopled by often enthusiastic
and often less than sensitive guitar players, and the worst offenders are
often those who are primarily from other musical backgrounds, eg jazz and
rock. I am just about to embark on "learning the blues" with my
newly-acquired Jerry Portnoy set, and I am expecting it to take a very long
time. Blues hasn't been my world up to now. But some of these guys think
they can cross over to traditional Irish and show us a thing or two in five
minutes! You won't come across TOO many really good bodhran players either.
I think it's mainly about a thing called ego. Other times you get just too
many guitars altogether, but they're all great guys and what can you say?
The upshot for me is that I have to use a small amp when the evening is in
full flow, otherwise I might as well just not bother. I just want to level
up with the general volume (rot setting in...) and I soon get told if I get
this wrong. Later on, when the gathering has thinned out a bit, it can be
the best part of the evening and I can put the mic away. By then of course
the Guinness has kicked in! Tant pis!
Steve Shaw
Want more than the blues? Try Irish!
http://mysite.freeserve.com/trad_irish_harmonica
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