Re: [Harp-L] re: Take five



15 overblows with a LoF#.
2+ 3" 4+ 4 4o 5+ 4o 4 4+ 2+ 2 3" 3 3" 2 3" 2 2+ 1 2+ 3" 4+ 4 4o 5+ 4o 4 4+ 2+ 2 3" 2 2+ 1 2+ 3 3" 2 3" 6 7+ 6 5 4 5+ 5 5o 6+ 7 6+ 5+ 4+ 4 4o 5+ 5 6 5 4 3 4+ 4 4o 5+ 4o 5+ 5 6+ 5o 6+ 6' 6 7+ 6 5 4 5+ 5 5o 6+ 7 6+ 5+ 4+ 4 4o 5+ 5 6 5 4 3 4 6+ 5 5+ 2+ 3" 4+ 4 4o 5+ 4o 4 4+ 2+ 2 3" 3 3" 2 3" 2 2+ 1 2+ 3" 4+ 4 4o 5+ 4o 4 4+ 2+ 2 3" 2 2+ 1 2+ 3 3" 2 3"


I like the SBS-type harps from Seydel: the Solist Pro 12 for stuff like this. I also use a 10-hole subset of this type starting on hole 2 built as a Session Steel.

Zero overblows with SBS Db (3rd Position)

Zero With SBS E (6th Position)

-----Original Message----- From: Boris Plotnikov
Sent: Wednesday, January 13, 2016 12:47 PM
To: martin oldsberg ; harp-l@xxxxxxxxxx
Subject: Re: [Harp-L] re: Take five


I keep thinking that 4-th position on LF# with some very easy overblows 4
and 5 (actually same reed or same breath as previous note) are much more
comfortable way to play Take Five than with precise bending using Db
harmonica in 3rd or with wide leaps on chromatic.

2016-01-06 16:38 GMT+03:00 martin oldsberg <martinoldsberg@xxxxxxxxx>:

>Take Five can be played on a Db diatonic harp (3rd position vs Eb) >without
>overblows.
Erh, no. The B-section jumps up an octave, requiring an OB -- and, I
think, off the cuff, even an OD./Martin





--
Thanks, Boris Plotnikov
http://borisplotnikov.ru





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