Re: [Harp-L] Sweet Georgia Brown a la Aebersold

[philharpn@xxxxxxx]

Amazing Slow Downer will slow the track down -- as much as you want -- without changing pitch. 



I've listened to the track on the CD, and boy, it goes by awfully fast, and my 
ears just aren't that good, yet.





-----Original Message-----
From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
To: Elizabeth Hess <TrackHarpL@xxxxxxxxxxxx>; harp-l <harp-l@xxxxxxxxxx>
Sent: Tue, Feb 21, 2012 4:32 pm
Subject: Re: [Harp-L] Sweet Georgia Brown a la Aebersold


Elizabeth -

C7+9 = C E G Bb D#

Whenever a chord is simply described as a 7 or 7th or seventh chord without 
further specifics, it's a dominant 7th. (the altnerative you slled would be 
reffered to as a Major 7th, raised nine (or something similar, but major 7 would 
be part of the specification). So describing that chord as C7 in another part of 
the book isn't so much wrong as incomplete.


As to whether that G chord was played as a half-diminished or a minor 7th, only 
your ears can decide. If the only difference is D versus Db, then try each of 
those notes when the chord comes around - just that note and nothing else, 
followed by a C over the C chord. The right note will sound better than the 
not-right one.

Winslow

 
Winslow Yerxa
Author, Harmonica For Dummies ISBN 978-0-470-33729-5
Harmonica instructor, The Jazzschool for Music Study and Performance
Resident expert, bluesharmonica.com
Columnist, harmonicasessions.com


________________________________
 From: Elizabeth Hess <TrackHarpL@xxxxxxxxxxxx>
To: harp-l@xxxxxxxxxx 
Sent: Tuesday, February 21, 2012 11:38 AM
Subject: [Harp-L] Sweet Georgia Brown a la Aebersold
 
I'm looking at the Jamey Aebersold play-along of Sweet Georgia Brown, which is 
found in Vol. 39, "Swing, Swing, Swing".

On page 1, measure 16, the chords given are G-half-dim (Gm7b5, if I understand 
correctly) and C7+9.  (Would C7+9 be spelled C E G Bb D#?  Or C E G B D#?  My 
guess is the former, but I am not sure.)

On page 9, the "Concert Key Solos" section, the chords for measure 16 are given 
as G- and C7.

I've listened to the track on the CD, and boy, it goes by awfully fast, and my 
ears just aren't that good, yet.  Can anyone tell me whether one would play a D 
or a Db with that Gm chord?  And a Bb or B with that C chord?  And if one were 
playing with a band, would one have to clarify these points before starting to 
play?  Many thanks.

Elizabeth (the one who doesn't know how to play ANY jazz songs... yet)

P.S.  I will be transcribing the chords into Band-in-a-Box to start, so that I 
can start slowly and work up to speed.  Yay, BIAB.