Re: [Harp-L] minor 7th chord in bar 3



Damien Masterson was who posted the thing about plaing the blues scale of the relative minor of a Dom 7th chord...credit where due!
WVa Bob


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On Oct 11, 2010, at 4:32 PM, Bob McGraw <harpbob@xxxxxxxxxxx> wrote:

A cool tip that I got here on harp-l is to play the blues scale of the relative minor of a dom 7th chord...so over an F7 u can play the D blues scale...fun way to approach the F7/Bb7/Eb7/Ab7
rhythm changes bridge that turns up so often, giving it a nice bluesy flavor without being too obvious...so D blues over F7, G blues over the Bb7, C blues over the Eb7, F blues over the Ab7...notice, of course, the Circle of Fourths...
WVa Bob
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On Oct 11, 2010, at 1:29 PM, Zack <zack.pomerleau@xxxxxxxxx> wrote:

Jazz is wonderful like that. There are some very complex blues songs these
guys play, it's just about finding what sounds right within the constraints
of the blues form.






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