[Harp-L] tone and electronics



Johnnie Harp opines:

Bottom-line, why should a player care what their acoustic tone is, IF they play through electronics in any case, and end up with the desired result through their customary rig?

Because the best electronic effects RESPOND to a player's technique (in this regard, I usually think of delay and /or reverb as part of the sound reinforcement, not effects). If a MicroPog, for example, is set properly, it will vary the sound produced depending on variations in breath pressure, attack, size of oral resonance chamber, etc. Same thing with a good phaser pedal or a good envelope follower and also true (but much less so) with a RotoSim. So, used properly, electronics are not merely sound effects but EXTENSIONS of playing technique. it's a trial and error thing, but if you get the right harmonica friendly pedals and set them up correctly, it can be almost like playing another instrument.

BUT, to do this, a player needs decent acoustic tone, decent breath technique and good mic handling (cupping) technique.

That being said, one does not have to spend very much time browsing around on YouTube to hear harp players that simply use pedals as sound effects, and in those cases, Johnnie's above quoted statement would certainly be true. But that statement is also often true of some players who use a lot of tube distortion which just masks their tone (or, in many cases, lack thereof).

So, it depends how you do it and how good the player is at finding using electronics that respond to technique rather than simply masking tone with sound effects.

On the other hand, delay and/or reverb does smooth out variations in timbre between bent and unbent notes and OBs, which is useful (and a reason why these effects are so popular with amplified harmonica players).

Moral of the story: if a player thinks acoustic tone production is irrelevant to playing through electronics, that player is not using electronics to their best potential, or is not using the right electronics.

JP



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