Re: [Harp-L] Re: [HarpTalk] Playing at Jam Sessions



I play a lot of jams-

sometimes you just have to lock in with some one else up there to reinforce
the rythym to avoid a train wreck, or help make the chord changes obvius to others-


-I find that playing strong turnarounds helps move a song and add to dynamics-

I play them out front if no one else is taking them or I try to strongly support the
instrument that is



Dan



----- Original Message ----- From: "David Brown" <nonidesign@xxxxxxxxx>
To: "Joe and Cass Leone" <leone@xxxxxxxx>
Cc: <harp-l@xxxxxxxxxx>
Sent: Thursday, September 18, 2008 9:52 AM
Subject: Re: [Harp-L] Re: [HarpTalk] Playing at Jam Sessions



Rule of thumb for me when someone is singing is to play *quietly* during the
vocals (if at all) using chords or a single note held long but again *
quietly* and only play notes that cut through the mix when the singer is
taking a breath (get in and get out quickly).


I follow the same general rules I expect during my solos: if it is an accent
to what I'm playing, and it's only done occasionally and not intrusive,
that's OK. If someone else is jumping my solo with a solo of their own, no
matter how quietly they play it, I have a problem with that.


Like spice in cooking add sparingly to add taste. Rmemebr, we are ACCENTING
the singing, not competing for lead position with the vocals.


The problem with jams is often that it draws:
-a lot of players who don't get out much and want to play as much as they
possibly can,
-players who think the world revolves around them and so want to play as
much as they possibly can,
-players who are fine people but who don't have a lot of experience
interacting as a band member, ie: as part of a whole.
-players who don't understand that they are part of a song as opposed to the
song getting in the way of their solo.



On 9/17/08, Joe and Cass Leone <leone@xxxxxxxx> wrote:

It all depends on who is running the jam. When it was a B3 player, he was a
show off and the guitar player was his buddy. Now that I play with a baby
grand piano player, everything has changed. The piano player loves me.


smo-joe

On Sep 17, 2008, at 8:57 PM, billhines4@xxxxxxxxxxx wrote:

I used to wonder the same thing! "hey the other instruments are all playing
when the singer is singing!" I think it's fine to play background/chords at
*low* volume to provide the same type of backing that the other instruments
do. I like using the opportunity to work on chords, split octaves when doing
this. Sometimes I try to parallel what the person on the organ (hammond b3)
is doing or compliment it (not during their solo of course).


Bill

 -------------- Original message ----------------------
From: MARVIN Fleischman <m0flei01@xxxxxxxxxxxxxx>

When playing at certain types of jam sessions, why is it that guitars,
etc., are
welcome to play while someone is singing, but not the harmonica, even if
it is
being played softly? Regarding playing the harmonica during a blues jam
and an
Americana jam, I have been told to play less and make it count. When it
is an
unfamiliar song to me, I like to play very quietly to get the melody in
my head.


Marvin Fleischman









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