Re: [Harp-L] Subject: Re: Midori again




On Apr 9, 2008, at 10:15 PM, Bob Laughlin wrote:

Every politician and "success"/greed driven businessman has a charity to
justify the other part of his/her life, and put a likeable face on what
otherwise is simply a drive to succeed and be wealthy.

It's good business


Midori may have a
philanthropic side, to be sure, but is it because she "loves" the children
she supports, "loves" the music she performs, or merely because she needs a
tax write-off? Very likely she's a good businessperson, or she's
encouraged/supported/sponsored by one/some.

You're a tough act lol

Skepticism is definitely a part of my nature.

That's what I like about you.


Too often, I've seen the
business realities of what is promoted as "love". Many who would make a good
appearance of support for some underpriveleged poor would never dream of
visiting the same neighborhood, let alone live next to "one".

I can dig where you're coming from.

My initial feeling, and my post, was that Midori, though she may not be
"faking" (your wording) what she's playing, may be adding a kind of
"physical enthusiasm" to the mix simply because of the perceived audience
response.

See Bob, I see this part a little differently. This girl is young and healthy. She can really move around because unlike Itzak Perleman, she has working legs. A lot of the older violin players are just that...old. I see her as enthusiastic and vivacious and have been a fan of hers for years. Inasmuch as I consider the harmonica as closest to the violin (just study OBS), maybe I'm jaded. In any case, there may be those who don't think a violin player fits on a harp list. Well, Bill Monroe doesn't play harp either.


Another thing to consider. There are those who have a sort of a bland personality. They are what I like to call 'One below par'. Meaning: their general demeanor or deportment is normally at the same level as an AVERAGE person on one depressant. Then they go on stage and let it all hang out. There are also those who are 'One ABOVE par'. These are people who are already hyped up with what they are doing and high on life. So much so, that when THEY get up on stage, it's like a normal average person on a stimulant. Without actually TAKING stimulants. lol. It's just their natural (for them) energy level. Then there are the extremes. Playing like you're almost comotose (2 below par). Playing as if your hair is on fire and you have to make it to the horse trough. (2 above par)

Midori is Japanese. They are usually very quiet and non obtrusive. I believe, when she plays, that's her outlet for feelings she can't otherwise express in her culture....without a good reason.

It may just be something that her "handlers"/parents encouraged
her to do, for the effect, and the advantage of moving an audience, viewing
on a purely superficial level, to say,,"Oh,,see how passionate she is!"

I don't think so. See sentence above.

Passion can be genuine, whether inwardly or outwardly expressed. There is no
driving necessity, in my own mind, to elevate physical theatrics to the
place of a guide by which one may judge another's love of music. That may
merely be the mark of a good businessman/woman/person. Neither can one's
inner passion necessarily be fairly judged by the lack of outward theatrics.

In the case of Kiss or Motley Crue, I would agree, but I think you're reading too much into this girl. I think it's merely a case of her being so enthusiastic that all her hard work is paying off and she has been allowed to better herself, and is proud of herself, and thusly is expressing her joy.

Admittedly, some of my greatest heroes were those musicians who seemingly
gave little place to theatrics in their performances, though, I also have
enjoyed performances where the artist was visibly moved.

I can dig THAT. smo-joe

Keepin' it real.


BL
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