Re: [Harp-L] Jimi Lee's Harps



Hey Rupert,
I like the video that was posted on Youtube, with you singing and playing harmonica on a Low Octave Seydel. Very distinctive style you have.


Stay tuned!
Mark
Mark Lavoie
4849 Bristol Rd
Bristol, VT  05443

802-236-5665
http://www.deltagrooveproductions.com/music/artists/billsimmarlavoie/main.html
www.myspace.com/theharmonicaman
www.middlebury.net/lavoie
----- Original Message ----- From: "Rupert Oysler" <orupert@xxxxxxxxxxx>
To: "harp list" <harp-l@xxxxxxxxxx>
Sent: Tuesday, April 08, 2008 6:57 PM
Subject: [Harp-L] Jimi Lee's Harps



Hey all,
This is is response to some recent speculation about what harps/tunings/etc. Jimi Lee is playing, posted with his blessings. He plays stock/standard Seydel harps, and he of course adjusts and fine tunes them to his own personal playing. Even though he overblows fluently (since the 1970's) he employs some tunings to enhance playing melodies seamlessly on diatonic. There are three basic types:
-Standard richter tuned harps, for straight-ahead blues etc.,
-Country tuned (5 draw raised half step) for some more melody intensive work
-Natural minor tuned for more complex "jazzy" tunes, and of course minor...


These tunings are available stock from Seydel, and he also uses some of them in Superlow (LLF, LG, LAb, LA, LBb., LC etc.) harps, and sometimes retunes Stainless Steel Reed harps (1847), because of the greater longevity and preferred tone/response. The Superlow tunings are available on the Seydel "configurator" in Favorite and Session (brass reed models), and the 1847's (stainless steel reeds) will be available in these alternate tunings on the configurator very soon.

Jimi uses the natural minor tuning in a very interesting way for "jazzy" "old standard" type tunes, by playing them in what would be essentially 11th position for a "normal" harp- as in draw 3 lowered one-half step (i.e. playing Bb on a C harp). In the natural minor tuning draw 3 is already lowered 1/2 step, so using this as the tonic, he has a very melodic scale available from draw 3 up through the octave at draw 7. He uses this for songs like "Scotch and Soda"....Also, if the song modulates to a bridge in the relative minor (like G minor for the Bb tonic), then he can smoothly play with this in "cross harp" centered on the draw 2....

I'm sure he would be willing to answer specific questions off-list, since he spends a good deal of time teaching at workshops/jam camps etc. If you haven't checked out his website http://www.jimileeband.com/ it is highly recommended, and you can reach him through there.

He is an awesome musician, and harp player, and an incredible guy, and he gives of himself 1,000% ..... Jimi is a real gift to the harp community!

--
Rupert Oysler
www.seydelusa.com

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