[Harp-L] what makes a mic prone to feedback?



in the recent discussions of mics, several people commented
on this mic or that being resistant to feedback.  that got me 
curious as to what aspects of a mic's design contribute to this.
impedance?  shape?  pickup pattern (omni vs. cardioid)?  
element type?  is it all black magic, or is this well understood?
if the latter, what are the tradeoffs a designer makes?   i.e. what
does he give up for feedback resistance, or what does he get
that would be worth a feedback prone mic?


----
Garry Hodgson, Technical Consultant, AT&T Labs

do for others with no desire of return.
we should all plant some trees
we will never sit under.





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