[Harp-L] overblows

[George Brooks <gbrooks1@xxxxxxxxx>]

Guy Buxman wrote:

I've been OB'ing for about a year now and but I'm not able to hit them 
with
the accuracy that I'd like to. I've seen dicussions here about specially
modified harps to make OB'ing better.  Do most pros use these specially
modified harps?

Another challenge I have is hitting the 3 draw half step bend with 
clarity.
It always sounds breathy and thin in comparison to my other bends.  Is 
this
just a matter of practice/time?

==========================================================

Many pros use custom harps set up for overblows/overdraws.  Some use 
stock harps that they modify (in effect customize) themselves.  If you 
really want to explore overblowing, get a custom harp from someone who 
understands the necessary reed work (that is, someone who does more 
than cosmetic work, smoothing rough edges, and general tightening up - 
the reed response is the key to overblowing).  Then, if it's something 
you want to stick with, make the decision down the road whether you 
want to  learn auto mechanics or simply drive and let others do the 
wrenching.

Your 3 hole draw bend issue is probably one of technique.  The key here 
is achieving the proper resonance without stress.  The proper resonance 
is necessary to have a stable note at the correct pitch.  Stress is the 
enemy of a fat tone.  Try to get the bend at the lowest possible 
volume, staying absolutely as relaxed as you are when playing the 
unbent note.  Try sustaining the bend, again at the lowest volume you 
can.  You might experiment with tensing your diaphragm as you do this 
(feel what happens to your diaphragm when you yawn and then reproduce 
it while playing).  Also, it may help to play to a drone at the correct 
pitch (piano, synth, tuner that produces reference pitches....).

Even if you don't overblow, it's nice to have at least one good custom 
harp.  Among the many benefits, it will answer those 
is-it-the-harmonica-or-is-it-me questions.

George