Re: [Harp-L] best of pigpen



I never said anything about Jerry Garcia's ability to play all the instruments he played or whether he deserved the success he achieved. He was very talented. He just couldn't sing. A lot of the great song writers from the Tin Pan Alley era couldn't sing. Herbie Hancock did an album where he did vocals through a pitch correction device. It sounded like Marvin the Paranoid Android from the "Hitchhiker's Guide to the Galaxy" radio show.

Other people have been very successful as singers in spite of not being able to carry a tune. Harry Connick Jr, Jim Morrison...Frank Sinatra, from the mid 50s on, had serious pitch control problems. Fred Astaire sang flat quite a bit and covered up for it by talking the lyrics like Rex Harrison.

It wasn't any secret that Pigpen had a major substance problem. I've lived in the Bay Area all my life and was already out of high school when Mother Machree's Jugband got started. Back in the day celebrity gossip for your upstanding hippie was about people in local bands and the themes were sex, drugs, and rock and roll.

Lots of everyday people can carry a tune better than Jerry Garcia could. Many are his equal. Most of them don't sing with bands in front of large audiences.

BTW, David Lindley--same generation, has a cult following--is even more versatile and eclectic and can carry a tune. Bay Area blues player Ron Thompson plays guitar, harmonica, and keyboards well and frequently does it simultaneously. He's a heck of a singer too.

In all fairness, my favorite SF band of the time was the Airplane. I couldn't stand the vocals or the lyrics but I thought Jorma Kaukonnen and Jack Cassidy were terrific. In retrospect I think I was even more right than I thought I was at the time. I also found Janis Joplin somewhere between boring and pitiable. I saw them all.

Mark Russillo wrote:

Joel -
Yes, it is about taste, but anyone assessing the Dead could pretty much lambaste each individual musician along those lines. Pigpen, taken as part of the Dead, was pretty much what the band needed at the time - and, as others have mentioned, the band took a different direction after his death. Arguably, he might gotten better in time had he lived longer.
If you read (among others) THE DEAD by Hank Harrison, you will see that Pigpen was driven to hard drink (Regular drink for Pigpen was hard for most people). The story goes that after Janis Joplin died, he sort of went downhill and his hard liquor consumption went up. In those days, those kinds of things went on in Haight Ashbury without too many people taking notice, even if you drank more bourbon than U.S. Grant.
On the subject of Jerry Garcia, although you might find his vocal abilities abysmal, he was probably one of the most versatile musicians of his generation. He played banjo, mandolin, piano, pedal steel, guitar, bass and some others, wrote many songs - and spanned entire genres of music while doing it. All while establishing one of the most successful cult rock bands of our time.
I'm sure glad I can carry a tune better than that - and some would say I play harmonica well (taste again), but I can make few of the claims above.
Mark Russillo
(a.k.a. The Rhode Island Kid)


*/Joel Fritz <jfritz666@xxxxxxxxxxx>/* wrote:

    It's a matter of taste, but wouldn't the best of Pigpen be like
    the John
    Cage piece that's nothing but silence. Jerry Garcia was even worse
    as a
    singer, but Pigpen was right up there. I could have taken the
    voice if
    he could have sung on key. His keyboard playing was fine.

The one thing the Grateful Dead always lacked was a competent singer.




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