Fwd: [Harp-L] Richard Hunter's Jazz Harp Book- "So What" solo

["Winslow Yerxa" <winslowyerxa@xxxxxxxxx>]

Try it and see how it works for you - both physically and musically.

There are more points of view on this than there are ways of 
combining these notes. You don't really need anyone's advice, though 
it can make for an interesting discussion. 

Your owns ears will tell you what you need to know.

Winslow


--- In harp-l-archives@xxxxxxxxxxxxxxx, Slidelicks@xxxx wrote:

My question is directed specifically to Richard Hunter, but also to 
the  
entire list in general.
 
I am working on the Miles Davis solo on "So What", using the 
transcription  
from Richard Hunter's "Jazz Harp" book. In a number of places, 
phrases  that 
use the notes C, B and A are notated using a Blow-Draw-Draw 
articulation  
without engaging the slide. Wouldn't it be more horn-like to engage 
the slide to  
produce the "C" and then use a breathing pattern of Draw-Draw-Draw?
 
Thanks for your insight.
 
-Steve Marchena
 
www.stevemarchena.com
 
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--- End forwarded message ---